Leavings

My poem “Leavings” was just published by Silver Birch Press. I’ll post the poem here, as well as a link to the Silver Birch site. On the site, I tell a little bit about writing the poem.

Leavings

Leavings are untidy. Remembering
what you want to say as the car pulls away,
or the cell phone drops into your purse,
restraint in an embrace, the casual

see ya, when you ache for more.
There was that time my mother died—
a stiff, proud woman who did not touch.
She lay in bed, while her brothers and I

hovered. We asked if she needed a blanket,
if she wanted music, if she were hungry,
thirsty. At each offering, she jerked her head
from side to side, tight-lipped, angry.

Then the young, Hispanic hospice aide reached
out and took her hand. She knew what leavings
needed, what my mother couldn’t bring herself
to ask for, what we didn’t understand to give.

My mother sighed and held that gentle,
reassuring hand. The aide leaned in, caressed
a wisp of hair on her forehead. My mother smiled,
and took her last breaths.

Yokogami Yaburi

This poem just won a “Poem of Merit” award in the One Sentence Poetry contest at Third Wednesday literary journal. It’s also one of the poems in my poetry collection I lost summer somewhere.

 

Yokogami-yaburi
is Japanese for tearing paper
against the grain —
like that article you want to keep
but don’t wait for scissors
and rip into the story so the gist
is lost, or being stuck at 40
in living-the-dream, left holding the bag
of groceries or laundry or dirty diapers,
so you hide your stretch marks in a one-piece,
toss your hair like Farrah, and smile at strangers
on the beach while the kids make sand castles,
or open a bottle at 10 a.m., or shop for things
you’ll hide when you get home so when he asks
in two weeks you can say, “Oh, this old thing,”
or spend the afternoon online with men
who suggest a motel tryst — men whose photos
look suspiciously like the guy on page 34 of GQ —
just to see how far you can tear against the grain
before the gist is lost.

– Sarah Russell
First published in Third Wednesday
Photo Source
for d’Verse Open Link night

The Fold

I’m so honored to have this poem published in Third Wednesday near one by Ted Kooser. Fine company indeed! This poem is also included in my poetry collection I lost summer somewhere.

The Fold

          “The corners of death fold us into ourselves”
– Loretta Diane Walker

Mother and I are sniping. This visit
has been that way. The farm is rundown
as she is now at 94, bent over her walker,
bare-knuckled in her independence.
She says I mumble. I say she never listens.
We know this game. I’m packing to go home,
and she calls, “Do you want breakfast?”
I mutter yes, knowing she won’t hear.
It starts again.

I’m her favorite and visit least. I’ll look back
on this weekend, feel guilt. She will win
another round. This time when we hug goodbye,
there are no tears. As I drive away I glance
back to make sure she’s in the doorway,
watching.

Sarah Russell
First published in Third Wednesday
Painting by Mark Tinsdale

 

46 Catherine St.

From my poetry collection, I lost summer somewhere.

 

I hid behind the spirea bushes over there, by the steps,
chewed the bitter leaves, watched old Grandma Yonkers
in her lace up shoes and cotton hose mince slow,
slow, with her squeak-wheeled shopping cart,
an hour to the store and back. She never saw me,
or at least she didn’t say. The house is run down now.
Probably was then too, but kids don’t notice shabby
when it’s theirs. Screens are rusty, porch sags,
sidewalk buckled higher from the oak. Dad said
it should come out, but it’s outlived him and will outlive
me as well. Its acorn caps made high-pitched squeals
between my thumbs I crooked just so. We’d rake
its leather leaves in piles at the curb, light fires in the twilight,
watch embers spit into the blueblack dusk,
the scent of autumn in my hair.

Sarah Russell
First published in I lost summer somewhere
Photo Source

 

After the Fact


There’s the Fact,

and After the Fact –
the silence of a new apartment,
hugging the kids too hard,
watching them manipulate.
It’s his telling friends you took him
to the cleaners, cold stares
at soccer games.

After the fact
is buying hundred dollar jeans,
then eating ramen for a week,
lying about your age,
your weight.  It’s wondering
if they’re mama’s boys
or gays still in the closet,
what to do with small talk,
stretch marks,  settling for a 6
because you’re horny.

The Fact’s a piece of cake.

Sarah Russell
First published in Rusty Truck
Painting source

Cusp

Yesterday’s south wind rushed warmth
to February snow. Today the earth
is boggy with new grass, tattered white
in crannies on north sides of things.
Daffodils finger their way toward light,
and old women’s feet no longer tremble
on their way to market.

 

Sarah Russell
First published in Your Daily Poem
Painting by James Coates
For Real Toads TuesdayPlatform

 

Ephemera

I sit at the water’s edge,
draw circles in the sand.

It was almost too civil. Last night
we walked down the beach
to the crab shack,
tied bibs around our necks,
and over a bucket of clams and corn
decided who got what.

Circles, short-lived in the tide,
my wedding ring in the dresser drawer.

 

Sarah Russell
First published in  Red Eft Review
Image source

Mornings after breakfast

This poem was just published in Red Eft Review. My thanks to editor Corey D. Cook for taking three of my poems for publication!

Mother hangs her tea bags on the door,
winds the strings around the knob. Drips,
like paw prints, stain the old wood floor.
I don’t know why she does it. She never
uses them again. After her tea she gets
the big pot and scrubs vegetables for soup.
Her knife is rhythmic against the cutting board,
her felt slippers scuffing from counter to stove
and back again. I see her mouth move sometimes
as she sways, mincing, mincing her life.

Sarah Russell
First published in Red Eft Review
Painting by Dmitri Matkovski
For Poetry Pantry

Birdman, Colombian

In response to a challenge at Ekphrastic Review. Here are all the poems generated by this photo of a Colombian Breastplate. Thanks, Lorette, for including my poem with the others!

A golden, first century breastplate —
mythic protection in battle. Mortals
have sought aegis from the gods
since time began, it seems.

When my youngest was three,
he wore an Incredible Hulk T-shirt
every day for a year, certain his kinship
with the angry green goliath
could transmogrify a toddler
to a Titan older kids would fear. 

I hope the Columbian warrior
with a flying deity on his chest
found more success than my guileless,
doomed boy, whose brother and sister
held him down and made him smell
the lint in their belly buttons.

– Sarah Russell
First published in Ekphrastic Review
For Poets United Poetry Pantry
Photo source: Breastplate
Photo source: Hulk Kid

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Sunset

Last night
clouds turned cantaloupe electric,
backlit in neon.
That must be where God lives, I thought,
though I don’t much believe in God.

Sunsets are reason enough to imagine
that heaven’s in the sky —
a transcendent finale,
coda of the day.

As years count down, I think
about sunsets, seasons —
leaves falling,
branches bare.

       Perhaps I should believe.

The closest I get is sunset —
enough ecstasy,
enough God.

Sarah Russell
For Poets United
Photo source