Everything Becomes a Stranger

“. . . a poem is a silent tree in spate . . .”

This morning I read a new poem by Rajani Radhakrishnan that is a perfect description of how a poem is made and who it becomes as we let it go.  Rajani gave me permission to reblog it, so here it is.  Please visit her site, ThotPurge to thank her, and while you’re there check out her second blog Phantom Road  where she converses with Marcus in a series of haibun poems — equally as evocative.  Rajani, I am so grateful to have discovered your poetry.

Everything Becomes A Stranger

even a word in a sentence,
you hold it there, lock it in and
for a while it makes sense
then it begins to work itself loose
wanting to move
wanting to move on
another appears in its place
an unfamiliar voice,
saying something else;

a poem is a silent tree in spate
one by one its green eyes fall
one by one new eyebrows are raised
only you know it is a different tree
the shadows paint another dark
and whatever is flowering
is not caused by your being;

everything becomes a stranger
once it leaves, once it falls
words, worlds,
people,
even you walking away
carrying a poem
carrying a sentence
cast shapes angled into the sun
as if the light is making love to you
in a different language.

– Rajani Radhakrishnan

 

Nesting

The finches are courting
outside our window, a warbled
discussion of real estate and love.
Like last year and the year before,
they want to lease the flower wreath
on our front door. It’s always a dilemma:
discourage their rapture or detour
through the garage?

The finches always win. So
for a month we’ll wake to overtures
at dawn – so cheerful, so loud –
show pictures of pin-feathered babies
to friends, recall demands
and pleasures of our own brood,
the bittersweet fledging.

– Sarah Russell
First published by Your Daily Poem
The photo is of their nest last year.

Thought this was apropos since Mr. and Mrs. Finch are back and are quite excited about our new wreath this year.  They were both tucked into a niche behind the blossoms, discussing the furnishings when I opened the door this morning.  The nest was almost complete this afternoon.  Can’t deny true love.

Family Photo, 1899

To end April’s National Poetry Month, here’s a wonderful portrait written by award winning poet Joan Colby.  Joan’s latest poetry collection is The Seven Heavenly Virtues.  Learn more about Joan and her poetry here.

Five daughters, every one with hair
To her hips. Cumbersome dresses
Meant for Sundays. No one is smiling.
The mother’s hair skinned into a thick bun.
The smallest child on her lap. The father
Gallant with sideburns, chin whiskers,
A wave over one eye. Cravat and
Polished boots. That they lived, all of them,
In a one-room log cabin in the Uinta Mountains
Is not apparent, dressed in their finest, hair
Freshly washed and brushed so that
Every girl could be Rapunzel.
Two infant sons already buried.
The father will die by gunfire
At the age of 40. The mother will be nursing
Her last child: my father
Who will be photographed later
In a white lace baptismal gown.

– Joan Colby
First published in Poppy Road Review

P.S. New prompts are up on the Prompts page.

On the Fifth Day

“The facts were told not to speak. . .

Jane Hirshfield wrote this insightful and cautionary poem and will read it on April 22nd during the program for the March for Science.  It was published in Sunday’s Washington Post.   Read more about this wonderful poet’s work here.

 

On the fifth day
the scientists who studied the rivers
were forbidden to speak
or to study the rivers.
The scientists who studied the air
were told not to speak of the air,
and the ones who worked for the farmers
were silenced,
and the ones who worked for the bees.

Someone, from deep in the Badlands,
began posting facts.
The facts were told not to speak
and were taken away.
The facts, surprised to be taken, were silent.

Now it was only the rivers
that spoke of the rivers,
and only the wind that spoke of its bees,
while the unpausing factual buds of the fruit trees
continued to move toward their fruit.

The silence spoke loudly of silence,
and the rivers kept speaking,
of rivers, of boulders and air.
Bound to gravity, earless and tongueless,
the untested rivers kept speaking.

Bus drivers, shelf stockers,
code writers, machinists, accountants,
lab techs, cellists kept speaking.
They spoke, the fifth day,
of silence.

– Jane Hirshfield

P.S.  There are new prompts on the Prompts page.

Recuerdo

“… the sun rose dripping, a bucketful of gold.”

When I started writing poems in high school, I discovered and fell in love with the poetry of Edna St. Vincent Millay.  I still have the book of her collected poems I received from my folks one Christmas.  Here is an early poem of hers, and one my favorites,  Ah, young love…

We were very tired, we were very merry—
We had gone back and forth all night on the ferry.
It was bare and bright, and smelled like a stable—
But we looked into a fire, we leaned across a table,
We lay on a hill-top underneath the moon;
And the whistles kept blowing, and the dawn came soon.

We were very tired, we were very merry—
We had gone back and forth all night on the ferry;
And you ate an apple, and I ate a pear,
From a dozen of each we had bought somewhere;
And the sky went wan, and the wind came cold,
And the sun rose dripping, a bucketful of gold.

We were very tired, we were very merry,
We had gone back and forth all night on the ferry.
We hailed, “Good morrow, mother!” to a shawl-covered head,
And bought a morning paper, which neither of us read;
And she wept, “God bless you!” for the apples and pears,
And we gave her all our money but our subway fares.

– Edna St, Vincent Millay
From  A Few Figs From Thistles 

National Poetry Month

To celebrate National Poetry Month, I’ll share my favorite poems — the ones I return to and always find something new.  I hope you enjoy them too.

The first is by my friend Steve Deutsch who writes a satirical political blog that’s worth a look.  This poem originally appeared in Weatherings, an anthology produced by Future Cycle Press on homelessness, aging, and our planet.

Flotilla

You left behind.
one half a jelly donut,
stale as last Wednesday;
some clothing, moth-eaten,
mildewed; two shoes,
one black, one brown,
with newsprint for the soles.
You left behind a paper sack
of winter warmth, and poetry
by Whitman, Poe and Crane,
well-fingered and browned in age.

You walked into the river
and left behind four dollars
and eighteen cents, which I
have spent on coffee
and a banana nut muffin,
that crumbled in its freshness.

Your poetry; penned
in your perfect prep school hand,
was stuffed inside two newish socks
atop the brown and laceless shoe.
It is unnervingly good,
but I can use the socks.
I crumpled your words in their freshness,
and set them to sail upon the river,
page by remarkable page.

Steve Deutsch

The Weight

One drunken night he lay on the coach road and she lay beside him.

“The Weight” is by my friend Ryan Stone who lives in Melbourne, Australia.  More of his fine poetry can be found at Days of Stone.

Faerie Lights on the Dark Road by Faustus-Faunus

One drunken night, he lay on the coach road
and she lay beside him. He pictured a truck
descending – wobbling around corners,
gaining momentum. They spoke about crushes,

first kisses. He told her of an older woman
who’d stolen a thing he couldn’t replace.
He tried to describe the weight of lost things.
She listened until he stopped,
until I stopped

hiding behind he. I felt small,
watching the cosmos churn
while I lay on the coach road
one summer night, speaking
of big things
and nothing.

Ryan Stone
First published in Algebra of Owls
Photo:  “Fairie Lights on the Dark Road”
by Faustus Faunus

PS  New prompts are up on the Prompts page.

Winter Hawk

 

IMG_1955

He holds vigil in a ravaged tree,
his fields, once tall with corn,
now snow-tipped stubble.

He accepts the unforgiving wind,
the cold, thin light – not wishing
for tomorrow or warmth or spring –
alive only in what is.

I close my eyes, clear my mind
of stubble in my own fields,
gather Now around me like feathers,
like breath.

When I look again, he rises
on fierce, decisive wings –
his crimson tail as brilliant in the January sky
as truth.

 Sarah Russell
First published in Prey Tell

If I Had Three Lives

After “Melbourne” by the Whitlams

If I had three lives, I’d marry you in two.
The other? Perhaps that life over there
at Starbucks, sitting alone, writing – a memoir,
maybe a novel or this poem. No kids, probably,
a small apartment with a view of the river,
and books – lots of books, and time to read.
Friends to laugh with, and a man sometimes,
for a weekend, to remember what skin feels like
when it’s alive. I’d be thinner in that life, vegan,
practice yoga. I’d go to art films, farmers markets,
drink martinis in swingy skirts and big jewelry.
I’d vacation on the Maine coast and wear a flannel shirt
weekend guy left behind, loving the smell of sweat
and aftershave more than I did him. I’d walk the beach
at sunrise, find perfect shell spirals and study pockmarks
water makes in sand. And I’d wonder sometimes
if I’d ever find you.

Sarah Russell
First published in Silver Birch
Winner of the Poetry Nook contest

Republished in Autumn Sky Poetry Daily