Stevieslaw: My poem “Studio in the Asylum” was published in The Ekphrastic Review today

Speaking of ekphrasis, here’s one from my friend Steve Deutsch. He has written a series of ekphrastic poems from the point of view of the artist, taking into account the era and their particular situation. Steve’s always right on point, whether he’s writing poetry or political satire. Take a look at his other posts for the satire part.

Stevie's Law

Studio in the Asylum (find the poem at Ekphrastic.net)
Dear Theo:

I am surrounded here
by the painter’s commonplace,
the half- filled canvases
that dot the ochre walls and
those ornaments of still-lifes—
the vases and jars standing
to attention on the sill,
empty of color and purpose.
I feel a tension, as if
a single dazzling orange
would shatter the calm
forever.

I have finished “Studio in the Asylum.”
It is a soothing depiction,
like a setting for a prayer.
Yet, I might well have named the piece
“The window in the wall”–
that brightness that separates
the therapeutic room
from the glory of the garden
and the grounds.
Soon, now
I shall make my way outside.
to paint the olive landscapes
and pasteled huts
and to color
the stars of the night sky.

Yours: Vincent

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Mademoiselle Boissière

“. . .roses dizzied her with summer. . .”

Ekphrasis is poetry is based on works of art.  I love this kind of writing.  This poem is based on “Mademoiselle Boissière Knitting” by Gustave Caillebotte.

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She sits alone
knitting for Sophie’s baby,
expected in the spring.
She doesn’t think of Sophie baring
herself for a man, as she did once,
when roses dizzied her with summer,
how easy her petticoats lifted, how
afterwards they smelled of blood
and sweat, how she stumbled,
pushed the bolt to lock the door,
how those smells return
when she sees him in the square,
squiring his wife on errands
and feels her heart loose
in its stays.

– Sarah Russell
First published in Ekphrastic Review