My thanks to Rose Mary Boehm

Way back in 2014, when I was just starting to write poetry again and had never been published, Rose Mary Boehm approached me and said she would like ten (10!) of my poems to publish on her blog. I didn’t know what poems of mine were good or bad, so I sent her 20 and told her to pick. She gave me confidence and my start, and I’ve never looked back. I hope other poets out there will find an angel to guide their first efforts.

Recently, she republished my poems, so here’s the link. Thanks, Rose, for believing in me.

https://houseboathouse.blogspot.com/2014/01/featured-poet-no-22-sarah-russell.html?q=sarah+russell

This August morning

A third poem published today by Red Eft Review. My thanks to Corey Cook for accepting all 3 recent poems that I submitted. I love this poem coming out now in late April, since I just hung out our hummingbird feeders for the summer.

This August morning
hummingbirds are at the feeder—
impossible creations dipping
into the nectar.
I wonder at their flair for flying
backwards, their nests no bigger 
than a walnut shell, their weeklong 
journeys on whirligig wings following 
the flowers. It gives me peace, 
thinking of small, irridescent lives,
momentary and breathtaking.

New England Spring

I love the rainy, fecund springs we had when we lived in New England. Tried to capture it in this poem published today by Red Eft Review.

It has rained for days—sometimes early fog 
and a gentle mist that reminds me of the moors; 
sometimes the wind and drench of squalls 
from the Atlantic. Flowers love this spring, 
but worms sprawl helpless on sidewalks 
and die in the first patch of sun. The dog 
comes home bedraggled from his walks, 
happy and shaking on the stoop. I drape 
my slicker over a chair with a towel beneath 
to catch the drops, brew some tea, open 
my journal. A perfect morning.

Great Horned Owls, Mid-Winter

My thanks to Red Eft Review and editor Corey Cook for publishing my poem today.

On our evening walk we hear them
in a stand of oak and pine—the female’s
breathy notes; the male’s answer, deeper,
like tones blown across a stoneware jug.
Before their sortie over snowy fields
they whisper greetings to their mates—
an alliance voiced in shadow. Our breath
clouds in the twilight.

Bird Woman

A second poem published in Red Eft Review.

Bird Woman

Nearing the shore at twilight,
she drifts in the wind’s current.
The lagoon below is still
as held breath.
Her eyes skirt the trees,
the marshy undergrowth
for a safe settling.
She tires easily now,
seeks sheltered landings
on timeworn wings,
her flight nearing
an unfamiliar shore
that beckons
with no promises.

Cherokee Purples

My poem “Cherokee Purples” was just published by Red Eft Review. My thanks to editor Corey Cook.

Cherokee Purples

There’s melancholy in picking 
the last of these heirlooms 
before first frost. The May potential 

of seedlings. Yellow blossoms,
then tiny green fruits, hard as marbles,
in July. Deep red beauties, bending stalks 

under their weight, radiant and tender 
to the touch in August and September,
harvested in threes and fours, starring 

in salads, roasted with garlic, eaten 
like apples. This small bounty—triumph 
of urban farmers who nurture, stake, 

feed, and brag about their crop 
outgrowing cages to sprawl 
across the neighbor’s fence. Oh, the pride 

in sharing one or two with friends 
who didn’t grow their own this year. 
And finally in October, the wistful goodbye 

to a generous friend whose final gifts 
grace a windowsill to ripen, seeds salvaged 
for spring planting.

End of Autumn

The third poem published this week by Lothlorien Poetry Journal.

End of Autumn 
 
The small purple asters,  
still blooming,  
bow their heads to late October winds. 
I sit against the old oak. Its leather leaves  
crackle, gossiping about the coming snow.  
Passersby are zipping jackets, pulling hoodies  
tight to cover ears. Though robins have headed  
south, nuthatches and chickadees linger at the feeder,  
even when yearling squirrels shimmy up to fill  
their cheeks and race off toward the pine. Shadows  
are long by four. I’m glad for stew simmering 
in the crockpot and logs stacked for a fire this evening.  
I rise and find a new ache in my bones. The walk home  
feels lonely. My younger days have faded like summer  
warmth, and the ancient north wind beckons.

Change of Seasons

The second of my poems published by Lothlorien Poetry Journal.

Change of Seasons

Summer turns sullen in August,  
stubborn with laggard heat,  

even as the maples start to blush 
and geese grow restless, taking great,  

noisy practice turns from pond to field.  
Castanets of crickets fill the night,  

and fireflies blink farewell. I gather  
the zealous bounty of zucchini  

and tomatoes, find caterpillars  
living large on my prized basil.  

Come evening, after the stagnant  
midday, I feel the first cool breeze  

of autumn. I breathe it in like a traveller  
at the gate, asking for a drink from the well. 

What I Picked for the Journey

My poem “What I Picked for the Journey” was published today by the wonderful Writing in a Woman’s Voice. My thanks to editor Beate Sigriddaughter.

What I Picked for the Journey

A strong walking stick that fits my grasp. 
Oatmeal raisin cookies.
A few favorite poems.
A heart-shaped pebble for my pocket.

I’ll leave on a day that promises sun 
and breeze and animal-shaped clouds. 
I’ll find wild blueberries and spring water
pure as a child’s wonder.

I’ll pass the hours remembering
forsythia in April, the softness 
of a baby’s skin, campfires, the smell 
of bread fresh from the oven. I’ll sleep 
where the milky way tumbles 
through the night sky and trees whisper 
to the wind.

Today & Other Seasons

My second poetry book has been published by Kelsay Books. Here’s what reviewers say.

Today and Other Seasons moves through landscape and memory. With a startling economy of language, Sarah Russell writes of coyotes ‘silent as smoke’ and an Amish market’s ‘chubby garlic bulbs, currants round as BBs, bunioned ginger toes.’ Sarah writes not only with stillness and precision, but with understated humor describing an old wringer washer as a ‘dowager on a dance floor’ and the courtship of finches as ‘a warbled discussion of real estate and love.’ There is so much to savor in this fine small collection.” — Sarah Carleton

“In her second collection, Sarah Russell embraces the fleeting, fluid rhythms of time. Her lyrical, quiet attentiveness to the natural world often evokes Mary Oliver. We encounter ‘an abacus of starlings,’ and the smell of ’dust and rain like a lover’s musk.’ Her pleasure at the daily routines and people who mark our lives recall the poems of Ted Kooser. She pays affectionate tribute to the uncle who taught her cribbage, and to a Montana rancher feeding cattle, his ’pitch fork separating clouds of gold, strewing it like a Silver Wolf high roller.’ Throughout, Russell’s images surprise and resonate — a hawk in winter, ’not wishing for tomorrow or warmth or spring — alive only in what is.’ Yes. — Mary Rohrer-Dann