Cleats by Joseph Mills

What a great poem this morning on one of my favorite poetry blogs — Autumn Sky Poetry Daily. Editor Christine Klocek-Lim’s selections are always spot-on, and this one touches my memories of my own kids’ teenaged years.

Christine Klocek-Lim's avatarAutumn Sky Poetry DAILY

Cleats

After practice, my son kicks off his cleats
and leaves them under the front seat.
He treats the van like a storage locker,
draping his uniform and sweats around.
The daughter complains each morning
as I take her to school. The cleats smell.
They’re in her way. It’s not fair. I agree
with all of these points, and yet I don’t
tell the son to move them. For one,
it’s yet another argument I’m too tired
to have. There are already so many things
I’m prodding him about: homework,
showers, closing doors, drinking water …
and, to be honest, I kind of like them there,
this mark of the boy, these muddy talismans.
He used to hold my hand as he fell asleep,
and once he pulled his fingers away,
picked his nose, then slid them back in my palm.
Yes, this is love, I thought then, holding snot

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The Contents

This is perfection. Thank you, Ms. Bridgewater and Eunoia.

perfectsublimemasters's avatarEunoia Review

After the tremors and reverberations of the explosions have passed, Mr. Beauchamp emerges, brave on feeble legs, from the tiny flea circus of a studio overlooking Beirut. His grey beard is somber enough for the occasion, thick with saline as he views his smoking city through an afghan of debris. A woman wailing swallows her sobs long enough to watch familiar Mr. Beauchamp head toward the square. He scrapes his box along the ground, lifting it gently at every step and crevice, though it may weigh more than his fragile, tweed-clad body.

The black box looks funerary, ancient paint chipped to reveal splinters of the light wood from which it is constructed, the cold metal handle small enough to dig uncomfortably into any hand that might attempt to carry it. The box is unusually heavy; most people pick it up twice, attempting once and then re-thinking their technique. If they…

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Light from a Dead Star

Nikki Velletri is a young poet to watch. Another of her poems can be found here.

 

perfectsublimemasters's avatarEunoia Review

after Donna Tartt

If there was ever a night to forgive
clumsy feet and hands reaching for
the unutterable,

we had reached it. Before leaving,
you had kissed your mother, even
your father,

both of whom would outlive you. This
is not the way the world should end,
fifty miles from home, earth reaching
up to take back

what it created long ago. Try as we may
to avoid it, lives dwindle. Try as we may to
avoid it, we are left with

blood-stained clothes and love, so much
love and no containers to fill it with.
Your mother sentenced

to collect dead children like stamps or
dust in corners. Your mother fumbling
against the darkest edge

of the universe from which all light must
reflect again, which is to say there is
a version of this life

where everything we’ve lost has already
been returned to us. I loved…

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Stevieslaw: New York City, 1968

My friend Steve Deutsch’s tour de force “NYC, 1968” has just been published by Misfit Magazine. I’m linking to Steve’s blog, but be sure to visit Misfit’s current issue too — more great poems there! http://misfitmagazine.net/current.html

stevieslaw's avatarStevie's Law

My poem, NYC-1968 just appeared in issue 23 of Misfit Magazine.  Here is the poem:

New York City, 1968

I
When last we met
we sat on a stone bench
in Central Park.
Frost had put paid to summer
and the big trees shivered
in the tepid sun.
We fed a squirrel
the remains of your lunch.
You said the draftees
had left
from Grand Central Station
that morning–
your fallen face
the color of the gunmetal sky.
That winter the water main
broke on the avenue
that ran along the park.
For months, we had to take
the long way home.

II
When last we met
we were in an apartment
in the East Village–
above the shop
that advertised “Fresh Produce.”
You said the Weathermen
had blown out all the windows.
We sat on the floor
in the hellish heat
and the stench of overripe melon.
A cloud…

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First Husband

“Poetry is . . . emotion recollected in tranquility.”
― William Wordsworth

I found his obit on Google,
hadn’t seen him, barely thought
of him in forty years
since the day he loaded his car
with half of everything – blankets, pillows,
dishes, albums (we fought over
who’d get “The Graduate” poster of Hoffman
and Anne Bancroft’s leg) – and drove off
to I-didn’t-care-where.

Once, 20 years later I learned where he was
from his buddy John and called.
He still taught drama and directed
summer stock in a small midwestern town.
We laughed together, comfortable,
finally, in our separate skins.

Now an obit with pictures and two columns
in the paper. A well-loved, prominent citizen,
it read, wife, three kids, grandkids. He wrote
a children’s book and “left the town
with memories of comedy and drama
that enriched our lives.”

Our marriage wasn’t mentioned. No need,
I suppose – a youthful take off
and crash landing best forgotten. But I wish
I had a chance to say goodbye.

– Sarah Russell
First published by Silver Birch

Near Jack’s Cabin

     “deer… like skeletons.”
                                    —Dorothy Wordsworth

Yes. Like skeletons this winter,
stealing silage meant for cattle
though it starves them.
They look wistful at the forest’s edge.
I want to coax them to my fire
before the wind tonight and snow,
more snow.

Some will fawn in spring if they survive.
We shall shrug off matted coats,
graze among the daffodils.

– Sarah Russell
First published in Eclectica

Editors’ Choice, January 19-25, “A New Hope for a New Zion,” by Charles McCaskill

Wow! What incredible power and exultation this poem has.

A New Hope for a New Zion
By Charles McCaskill
Reblogged from Panoply Magazine

for the black worshipers
who have yet to find some translation of
hosanna
or ashe or amen
to be worthy of God’s grace
in the eyes of God’s graceless

to the mortally wounded coughing up
their last ruby dripping hallelujah
into pavement or grass,
God willing,
let the ants talk to the sparrows
let the sparrows tell God they tried

to those dying and needing mercy the most
pleading out any prayer that lips can’t form
into the face of an officer
who can’t risk first aid
because a man who can’t breathe
to pray for his mother,
or whisper the name of the woman he loves,
or forgive his transgressor
while they are still transgressing,
that man can still attack,
right?

I pray for a new Zion
a land that does not see hubris
in our personal divinity
that does not shame you
for the divine that your great great grandmother
tucked away in her left cheek
and each time her children kissed her there
she called them miracle

you are miracle
your new home will be by the river
where the waters wash away
everything that ever wished you ill
and bring only
milk and honey
grace and mercy
your father’s strength
your mother’s compassion

your legs will never tire from running
not from necessity
but from joy

and your god,
my god
our gods
will have your face
will be shaped in our image
will welcome you home

Charles McCaskillCharles McCaskill is a poet. He hosts a semi-monthly open mic poetry event in Pensacola, FL.

Fred Harris – American Small Town Barber

Last year about this time, poets from State College, PA were invited to interview residents of Juniper Village, an assisted living and memory care center and to feature them in a poem.  Here’s my poem about Mr. Fred Harris.

Fred’s blue eyes twinkle,
his lank frame curls into the chair.
He smiles, lost in reverie —
a toddler’s first big boy cut,
the mother picking up a tendril
fine as milkweed silk, to keep…
the mingled scent of Brill Cream,
lather, Bay Rum, Old Spice…
the high school football hero,
proud and sheepish at congratulations
from the men… the rhythmic sound
of straight razor against leather strop…
the businessmen in suits and ties —
just a little off the sides, they’d say,
and Fred obliged.

In the 50’s, it was crew cuts and flat tops,
in the 60’s, duck tails and pompadours.
Then the 70s, when grim-faced dads
dragged in their sons,
and shoulder-length tangles
were made presentable.
“Got another one,” he’d grin.

Fred knew the pulse of Huntingdon,
and if clients sighed a weary sigh,
Fred gave their shoulder an extra pat,
and they’d smile a little, meet his eyes
in the mirror. No music in the shop —
“It runs the batteries down,” he’d say,
but he tuned in to hear the obits read
every day in case a regular died,
so he could pay respects.

After Fred swept the floor at night,
straightened the well-thumbed Argosy’s
and Field and Stream’s, turned the sign
to “Closed” and locked the door,
he drove home to the farm, made dinner
for the kids and Cassie — Mama Cass
he called her — saw to it chores were done,
saddled up Prince for a ride at sunset.
He saw Niagara Falls once,
went to Florida for a couple days,
but that was travel enough.
He had his barber shop, his farm,
people who loved him.
He was useful. He smiles,
remembering.

– Sarah Russell

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