Thinking About Faith

My poem is up at the wonderful Poetry Breakfast this morning. My thanks to editor Kay Kestner.

Thinking about Faith

I’m not talking religion here, 
although it’s nice to have that too. 
I’m thinking of the sun-rising-every-day 

kind of faith we take for granted—
that cars coming at me will stay 
in their lanes, that planes 

will land. It’s deeper than expectation—
that the dinner party will go well, 
or the Amazon delivery will arrive 

on Tuesday. It’s more akin 
to assurance—that when my friend 
says she understands, she does. 

Faith is more solid than Emily’s hope, 
more bedrock, but it’s beautiful 
like her feathery allusion—

that you’ll come home every evening,
that we will share our day, 
that you will hold my hand.

Autumn

My thanks again to Corey Cook, who took 3 of my poems to publish in Red Eft Review. Here’s the second one.

Autumn

Sugar maples are the first to turn,
mottled orange and scarlet with the green,
trying on the season. I need a sweater
now for morning walks.

The geese abandon summer ponds
in keening, migrant skeins to follow
shorelines south.

In twilight, remnant fireflies
glint urgent calls to mate, hopeful,
as we are, for one last tryst
before winter.

Ode to my Purse

My thanks to Corey Cook, editor at Red Eft Review for publishing this poem.

The one that’s 10 years old —
its leather soiled and supple,
lining grayed by a thousand
ins and outs of billfolds, keys,
candy. The purse fits me,
softening with use, sagging
into the middle of itself, scarred
by day to day, but refusing
to concede to age, zippers
still meshing, handle still
carrying its weight, stitching
still strong.

On the Shore

The 3rd of my poems published by Verse-Virtual. There are so many beautiful poems in this issue. I’m honored to be among them.

Seaweed calligraphy at the tide’s edge.
A crab tracks through, smears the ink.
I wait for the fog to lift. The gulls argue
over someone’s sandwich crust, get on
with survival. I remember your words,
the undertow.

Please Come In

The second of three poems published by Verse-Virtual.


I see you so seldom now,
after the move, covid,
different mates and politics.
We’re like Frost’s two paths,
decided on luck, fate,
promises we kept.
How are you, my friend?
Do we know each other now,
or just times past, shared
when we were young?
Sit down. Have some tea
and the cookies you taught me
to make that afternoon in August.

Yokogami Yaburi

This poem just won a “Poem of Merit” award in the One Sentence Poetry contest at Third Wednesday literary journal. It’s also one of the poems in my poetry collection I lost summer somewhere.

 

Yokogami-yaburi
is Japanese for tearing paper
against the grain —
like that article you want to keep
but don’t wait for scissors
and rip into the story so the gist
is lost, or being stuck at 40
in living-the-dream, left holding the bag
of groceries or laundry or dirty diapers,
so you hide your stretch marks in a one-piece,
toss your hair like Farrah, and smile at strangers
on the beach while the kids make sand castles,
or open a bottle at 10 a.m., or shop for things
you’ll hide when you get home so when he asks
in two weeks you can say, “Oh, this old thing,”
or spend the afternoon online with men
who suggest a motel tryst — men whose photos
look suspiciously like the guy on page 34 of GQ —
just to see how far you can tear against the grain
before the gist is lost.

– Sarah Russell
First published in Third Wednesday

Drought Town

Ryan Stone paints a bleak picture of drought in this outstanding poem. Ryan blogs at https://daysofstone.wordpress.com.

perfectsublimemasters's avatarEunoia Review

This is the summer of red dust. Everything
sucked dry—hollow as cicada husks, wedged
under eaves and porch stairs—waiting
for a wind change. On the road out of town,
empty grain silos loom, perched like headstones
over wheat-field graves. Harvesters sag, tyres
cracked like the asphalt. Rotting carcasses
litter riverless beds—tongues swollen,
flyblown, unslaked. First, a wheeze,
then my pickup spews steam. It dies in a ditch
under a burnt-orange sun. Tiger snake chunks
graffiti the hood’s underside, one blind eye bulging
from the torn head. It must have sought shade
or wiper water—sliding up from the parched earth
miles back. Now it’s just one more dead thing
in a land of dead things. This is the summer
of red dust. It swirls and the road ahead blurs.

Ryan Stone writes after midnight in Melbourne, Australia. He lives beside Sherbrooke Forest with his wife, two young sons, a German shepherd…

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The Lanyard

This poem by Billy Collins is my favorite tribute to mothers and the children who give them things.

The Lanyard
By Billy Collins

The other day as I was ricocheting slowly
off the blue walls of this room
bouncing from typewriter to piano
from bookshelf to an envelope lying on the floor,
I found myself in the ‘L’ section of the dictionary
where my eyes fell upon the word, Lanyard.
No cookie nibbled by a French novelist
could send one more suddenly into the past.
A past where I sat at a workbench
at a camp by a deep Adirondack lake
learning how to braid thin plastic strips into a lanyard.
A gift for my mother.
I had never seen anyone use a lanyard.
Or wear one, if that’s what you did with them.
But that did not keep me from crossing strand over strand again and again
until I had made a boxy, red and white lanyard for my mother.
She gave me life and milk from her breasts,
and I gave her a lanyard.
She nursed me in many a sick room,
lifted teaspoons of medicine to my lips,
set cold facecloths on my forehead
then led me out into the airy light
and taught me to walk and swim and I in turn presented her with a lanyard.
‘Here are thousands of meals’ she said,
‘and here is clothing and a good education.’
‘And here is your lanyard,’ I replied,
‘which I made with a little help from a counselor.’
‘Here is a breathing body and a beating heart,
strong legs, bones and teeth and two clear eyes to read the world.’ she whispered.
‘And here,’ I said, ‘is the lanyard I made at camp.’
‘And here,’ I wish to say to her now,
‘is a smaller gift. Not the archaic truth,
that you can never repay your mother,
but the rueful admission that when she took the two-toned lanyard from my hands,
I was as sure as a boy could be
that this useless worthless thing I wove out of boredom
would be enough to make us even.’

The Fold

I’m so honored to have this poem published in Third Wednesday near one by Ted Kooser. Fine company indeed! This poem is also included in my poetry collection I lost summer somewhere.

The Fold

          “The corners of death fold us into ourselves”
– Loretta Diane Walker

Mother and I are sniping. This visit
has been that way. The farm is rundown
as she is now at 94, bent over her walker,
bare-knuckled in her independence.
She says I mumble. I say she never listens.
We know this game. I’m packing to go home,
and she calls, “Do you want breakfast?”
I mutter yes, knowing she won’t hear.
It starts again.

I’m her favorite and visit least. I’ll look back
on this weekend, feel guilt. She will win
another round. This time when we hug goodbye,
there are no tears. As I drive away I glance
back to make sure she’s in the doorway,
watching.

Sarah Russell
First published in Third Wednesday