Mornings after breakfast

This poem was just published in Red Eft Review. My thanks to editor Corey D. Cook for taking three of my poems for publication!

Mother hangs her tea bags on the door,
winds the strings around the knob. Drips,
like paw prints, stain the old wood floor.
I don’t know why she does it. She never
uses them again. After her tea she gets
the big pot and scrubs vegetables for soup.
Her knife is rhythmic against the cutting board,
her felt slippers scuffing from counter to stove
and back again. I see her mouth move sometimes
as she sways, mincing, mincing her life.

Sarah Russell
First published in Red Eft Review

Confession

There’s a spider in the bathtub.
I saw him last night, and he’s still there
this morning, though I gave him fair warning
when I brushed my teeth before bed.
I need to take a shower.
But there’s a SPIDER.
In the BATHTUB.
My Dr. Schweitzer is arguing with my Eek.
He’s small –
smaller than a shirt button –
and round and 8 legs look like 3 too many.
But he’s in the BATHTUB.
Where I SHOWER.
NAKED.
I turn on the water, and he wiggles
a couple of legs but the spray doesn’t hit him,
so I don’t get a pass from Karma.
Then my Eek takes over,
and I get a piece of toilet paper,
and he wiggles 2 legs again but doesn’t run
so my Eek doesn’t get to plead self-defense.
I try to make it painless –
a squish and done – but then I wonder
if he was just trying to say hello,
and the shower’s kind of lonely
without him in there waving at me.

– Sarah Russell
First published in Your Daily Poem

At 3 a.m.

This poem is a departure for me. I found myself channeling Hemingway after reading for the third or fourth time A Moveable Feast — perhaps the best and least known guidebook for Paris. My thanks to Scot at Rusty Truck for publishing it this week.

At 3 a.m.
after one more day
without words, Paris
takes you in like a whore,
not surprised you’re back
for another fuck in the dark.
November. Brittle rain
scrapes the bone.
You walk the sheen of cobbles
to the Seine, where bodies,
freshly guillotined, once floated,
heads left behind in baskets,
past the great cathedral, gargoyled,
buttressed, to the boîte
on St. Louis where absinthe
and jazz make love, and a girl
comes to rub against you
like she knows your name.

– Sarah Russell
first published in Rusty Truck

Near Jack’s Cabin

     “deer… like skeletons.”
                                    —Dorothy Wordsworth

Yes. Like skeletons this winter,
stealing silage meant for cattle
though it starves them.
They look wistful at the forest’s edge.
I want to coax them to my fire
before the wind tonight and snow,
more snow.

Some will fawn in spring if they survive.
We shall shrug off matted coats,
graze among the daffodils.

– Sarah Russell
First published in Eclectica

Invitation

We found a stream that night
away from everywhere but us –
water voices whispering,
the honey of first times,
wind feathery on urgent skin.

Perhaps a folly, our rush
into together and tomorrow –
forever’s promissory note
before the debt of everyday.

Let’s go back
and lie beside the stream again,
listen for the water voices,
feel the wind’s breath

before we disappear.

– Sarah Russell
First published in The Houseboat

Everything Becomes a Stranger

“. . . a poem is a silent tree in spate . . .”

This morning I read a new poem by Rajani Radhakrishnan that is a perfect description of how a poem is made and who it becomes as we let it go.  Rajani gave me permission to reblog it, so here it is.  Please visit her site, ThotPurge to thank her, and while you’re there check out her second blog Phantom Road  where she converses with Marcus in a series of haibun poems — equally as evocative.  Rajani, I am so grateful to have discovered your poetry.

Everything Becomes A Stranger

even a word in a sentence,
you hold it there, lock it in and
for a while it makes sense
then it begins to work itself loose
wanting to move
wanting to move on
another appears in its place
an unfamiliar voice,
saying something else;

a poem is a silent tree in spate
one by one its green eyes fall
one by one new eyebrows are raised
only you know it is a different tree
the shadows paint another dark
and whatever is flowering
is not caused by your being;

everything becomes a stranger
once it leaves, once it falls
words, worlds,
people,
even you walking away
carrying a poem
carrying a sentence
cast shapes angled into the sun
as if the light is making love to you
in a different language.

– Rajani Radhakrishnan

 

Nesting

The finches are courting
outside our window, a warbled
discussion of real estate and love.
Like last year and the year before,
they want to lease the flower wreath
on our front door. It’s always a dilemma:
discourage their rapture or detour
through the garage?

The finches always win. So
for a month we’ll wake to overtures
at dawn – so cheerful, so loud –
show pictures of pin-feathered babies
to friends, recall demands
and pleasures of our own brood,
the bittersweet fledging.

– Sarah Russell
First published by Your Daily Poem
The photo is of their nest last year.

Thought this was apropos since Mr. and Mrs. Finch are back and are quite excited about our new wreath this year.  They were both tucked into a niche behind the blossoms, discussing the furnishings when I opened the door this morning.  The nest was almost complete this afternoon.  Can’t deny true love.